This production was scheduled July 26-August 4, 2024.
An enthusiastic crowd enjoyed the antics of an enthusiastic cast on opening night of Annie, the beloved musical gracing the Cambria Center for the Arts stage for two weekends only July 26 through August 4.
Despite some sound problems that plagued the production throughout (now fixed, one hopes), the voices of Annie (eighth-grader Moorea Prunty, who can boast some serious stage presence) and her fellow orphans (a delightful quintet played by Birdy Blackham, Daisy Banfield, Phoenix Prunty, Saqqara Prunty, and Luna Williams) ring out loud and clear.
Also charming in their stage presence and vocals are Evangelia Pappas as Grace, assistant to “Daddy” Warbucks (played convincingly by Ryan Treller), and the indomitable Laura Richie as Miss Hannigan.
“Characters” in the best sense of the word populate Annie, and Edgar de la Cruz as Rooster and Ashley Brown as Lily make the most of their roles as schemers and shysters. But Dakota W. Simpson takes the prize for best-in-show in his several roles, including a really funny turn as FDR.
One cast member’s voice, however, remains silent (good dog!), but she received as much acclaim during the curtain call as the rest of the more experienced performers: Bindi, making her stage debut as Annie’s foundling Sandy.
The production is notable for Karen Russu’s costume design, a fascinating and potent mix of Depression-era low and high styles, and its lighting and set (designed by Jane Lloyd and Russell Snow, respectively), which help differentiate many different locales such as the orphanage and the Warbucks mansion. Director Bryce Prunty’s blocking makes good use of the stage and its surrounding area, keeping the audience focused while set changes flow smoothly thanks to stage manager Lisa Winn.
With a score of players, this production of Annie still feels intimate, with each member of the ensemble getting his or her chance to connect with the audience (Angus McNellie and Jay Raftery are particularly adept at making their characters come alive).
Bindi’s wagging tail as she takes a final bow with Moorea says it all: this is a playful, friendly production that welcomes all to enjoy.